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St. Mary Redcliffe Church Bristol UK walkinbristol

5 Nearest Attraction

1. Queen Square 

BS1 4LH

    (0,3 mile - 4min walking)

2. Temple Church 

BS1 6HS

    (0,5 mile - 10min walking) 

3. Temple Meads Station 

BS1 6QF

    (0,6 mile - 11 min walking)

4. Arnolfini 

BS1 4QA

    (0,5 mile -10 min walking)

5M Shed 

BS1 4RN

    (0,5 mile - 10 min walking)

Click to the postcode to check the map .

Nearest Public Toilet

             

      Bristol City Council Custemer Service Point

      (Community Toilet Scheme)

 Accessible

     100 Temple Street, BS1 6AG

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St. Mary Redcliffe

The Parish Office, 12 Colston Parade, Redcliffe, Bristol BS1 6RA

Official website: 

http://www.stmaryredcliffe.co.uk/

Tel: 0117 231 0060

 

St. Mary Redcliffe is an Anglican parish church located in the Redcliffe district of Bristol, England.

The church is a short walk from Bristol Temple Meads station. The church building was constructed from the 12th to the 15th centuries, and it has been a place of Christian worship for over 900 years.

The church is renowned for the beauty of its Gothic architecture and is classed as a Grade I listed building by Historic England.

It was famously described by Queen Elizabeth I as "the fairest, goodliest, and most famous parish church in England."

Opening times

Weekdays: 8:00am - 5:00pm

Saturdays: 8:00am - 5:00pm

Sundays:   7:00am - 8:00pm

Services are held at 8:00am, 9:30am, 11:15am and 6:30pm.

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Richie's opinion :

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" St Mary Redcliffe is a few minutes ’walk from Temple Meads Station.

With its tower and appearance, it offers a really impressive sight, a real architectural masterpiece.
The interior of the church, unlike the Bristol Cathedral, exudes a slightly gloomy vibe to me, but the beauty of the  glass windows still sheds light on this gloom, and the church seems less unfriendly.

Definitely worth a visit."

History

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The church is adorned with monuments to individuals from the history of the city, including Sir William Penn (the father of William Penn, founder of Pennsylvania). His helm and half-armour are hung on the wall, together with the tattered banners of the Dutch ships that he captured in battle. The church also displays a rib of a whale brought back from one of his voyages by John Cabot.

The monuments of William II Canynges (c. 1399–1474) and his grandfather William I Canynges both have effigies on them, as do those of Robert de Berkeley and of Philip Mede (c.1415-1475), a Member of Parliament and thrice Mayor of Bristol. Multiple mural monuments also exist in the church. 

Amongst the monumental brasses is one to Richard Mede (d. circa 1488), son of Philip Mede.

Outside the churchyard set into the south end of a wall that runs along Redcliffe Hill is a brass drinking fountain dated 1832, with decorated with a lion's head. 

This is the well head for St Mary's Conduit, and the end point of the traditional St Mary Redcliffe Pipe Walk, which is held in October every year.

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The first church on this site was built in Saxon times, as the Port of Bristol first began.

In medieval times, St Mary Redcliffe, sitting on a red cliff above the River Avon, was a sign to seafarers, who would pray in it at their departure, and give thanks there upon their return.

The church was built and beautified by Bristol's wealthy merchants, who paid to have masses sung for their souls and many of whom are commemorated there.

 

An etching of St Mary Redcliffe from the North West c. 1850.

Parts of the church date from the beginning of the 12th century.

Although its plan dates from an earlier period, much of the church as it now stands was built between 1292 and 1370, with the south aisle and transept in the Decorated Gothic of the 13th century and the greater part of the building in the late 14th century Perpendicular.

The patrons included Simon de Burton, Mayor of Bristol, and William I Canynges, merchant, five times Mayor of Bristol and three times MP.

In the 15th century Canynges' grandson, the great merchant William II Canynges, also five times Mayor and three times MP, assumed responsibility for bringing the work of the interior to completion and filling the windows with stained glass.

In 1446 much of this work was damaged when the spire was struck by lightning, and fell, causing damage to the interior; however the angle of the falling masonry and the extent of the damage is unclear.

Although the spire was to remain damaged for the next 400 years, Canynges continued in his commitment to restore and beautify the church.

He took Holy Orders after the death of his wife, and is buried in the church.

Other families associated with St Mary Redcliffe include the Penns, the Cabots, the Jays, the Ameryks and the Medes.

In 1571, the school that was to become St Mary Redcliffe and Temple School was formed in a chapel in the churchyard. The church and school have remained closely linked in many aspects of their operations.

 

The 17th century saw the loss of many of the church fittings and much of the stained glass during the Reformation and the English Civil War.

During the reign of Queen Anne, and partially funded by her, the interior of St. Mary Redcliffe was refitted in the Baroque style.

Thomas Chatterton, whose father was sexton of St Mary Redcliffe, was born in the house next to the church in 1752. He studied the church records in a room above the south porch, and wrote several works which he attempted to pass as genuine medieval documents.

He committed suicide in London at the age of seventeen.

In 1795 the church saw the marriages of Samuel Taylor Coleridge to Sara Fricker and Robert Southey to Sara's sister Elizabeth.

The upper part of the spire, missing since being struck by lightning in 1446, was reconstructed in 1872 to a height of 292 ft (89 m).

Funds for the spire rebuilding had been raised by the Canynges Society, the Friends of St Mary Redcliffe, which was formed in 1843.

They raised most of the £40,000 needed.

The 1 tonne (0.98 long tons; 1.1 short tons) capstone was laid by the Mayor, Mr William Procter Baker, at the top of the scaffolding.

Because of the effect of environmental pollution on the Dundry Stone, further repairs to the spire and other stonework were needed in the 1930s.

A mobile telecommunication mast is fitted inside the spire.

During the Bristol Blitz in the Second World War a bomb exploded in a nearby street, throwing a rail from the tramway over the houses and into the churchyard of St Mary Redcliffe, where it became embedded in the ground. The rail is left there as a monument.

An accompanying memorial plaque reads "On Good Friday 11th April this tramline was thrown over the adjoining houses by a high explosive bomb which fell on Redcliffe Hill.

It is left to remind us how narrowly the church escaped destruction in the war 1939-45."

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St Mary Redcliffe is one of the largest parish churches in England, and according to some sources it is the largest of all.

The spire is also the third tallest among parish churches, and it is the tallest building in Bristol.

 

The Lady Chapel

St Mary Redcliffe is cruciform in plan, with a chapel extending to the east of the chancel, and a large 13th-century tower placed asymmetrically to the north of the west front.

The tower was added to the building in the 13th century.

It has broad angle buttresses and Y tracery to the windows. The bell stage has ogee gables and polygonal corner pinnacles.

After the collapse of the original spire in 1446 it remained truncated until the 1870s when George Godwin rebuilt it.

The nave, chancel and choir are vaulted with richly decorated with bosses in a variety of styles.

The Lady Chapel has a star vault.

The transepts has large pointed spandrels and a blind arcade with mullions descending from the clerestory windows.

Beneath the Lady Chapel is a small crypt, with a larger one beneath the transept of three by two bays.

 

The monument to William Penn

There is a rectangular 13th-century porch on either side of the nave.

The north porch has an inner component dating from 1200, with black Purbeck Marble columns, and an outer hexagonal portion built in 1325 which is ogee-cusped with a Moorish appearance.

The outer polygonal part of the north porch was built in the 14th century.

It has crocketed gables to the buttresses and is richly decorated with pinnacles and a quatrefoil parapet above a lierne vault.

Within the church are an oak chest with caryatids dating from 1593.

The choir stalls date from the 15th century.

There are two fonts; one from the 13th century and the other made of marble by William Paty was made in 1755. The oak pulpit was built in the 19th century by William Bennett.

A wrought-iron gilded chancel screen built by William Edney in 1710 still stands under the tower.

On 1 June 2016 Purcell announced they had been awarded the contract to extend St Mary Redcliffe to include visitor amenities, step-free access and a community hub.

Little of the early stained glass remains.

In the west window of St John's Chapel, for instance, the medieval glass barely survived the destruction (said to have been caused by Oliver Cromwell's men).

Most of the higher portions went untouched, but others were severely damaged. In some cases the windows were impossible to repair, and clear glass was eventually introduced to replace the missing scenes.

The Victorian stained-glass windows were created by some of the finest studios of that period.

William Wailes produced a design for the seven-light east window following a competition launched in 1846; however, delays in raising the money caused delays in its installation. Controversy over the design meant that it was replaced with the current depiction of the Crucifixion by Clayton and Bell in 1904.

The tree design in the window of the south transept was also by Wailes and was installed in 1854. In the north transept is a memorial window to Samuel Lucas who died in 1853, designed and installed by the St Helens Crown Glass Company which later became Pilkington. Another Wailes design depicting the Offering of the Wise Men was installed in the Lady Chapel, alongside one designed by Arthur O'Connor. The windows in the choir aisles are by Clayton and Bell who also designed the memorial to Edward Colston which is in the north wall of the north transept.

The stained glass window commemorating the 17th century Royal African Company magnate was removed in June 2020 following the toppling of the Statue of Edward Colston on 7 June, while the Diocese of Bristol announced a similar window in the city's Cathedral would also be removed.

The west window was obscured by the organ until the 1860s when it was moved to make way for a depiction of the Annunciation which was designed by John Hardman Powell of Hardman & Co. and funded by Sholto Hare. Attempts to achieve some conformity with the installed work and subsequent designs lead to a further commissions for Clayton and Bell and Hardman & Co. generally as memorials to wealthy local dignitaries who had contributed to the restoration of the church.

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